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- Titles Tulip Field Near Leiden (Proper)@Tulip Field on the Outskirts of Leiden (Former title)
- Artist George Hitchcock, American, 1850 - 1913
- Medium oil on canvas
- Dimensions 17 × 22 in. (43.2 × 55.9 cm) frame: 22 3/4 × 27 3/4 × 2 1/2 in. (57.8 × 70.5 × 6.4 cm)
- Credit Line Gift of Margaret Gresham Livingston, in honor of the Museum Board 1978-1986, 1986.623
- Work Type painting
- Classification Paintings
- On View
- Signature Recto, lower left, black paint: G. Hitchcock
- Inscription Verso, top stretcher bar, center, typed gallery label: IRA SPANIERMAN, Inc. / 50 East 78 Street New York 10021 Tel (212) 879-7085 / George Hitchcock / TULIP FIELD ON THE OUTSKIRTS OF LEIDEN / Oil on Canvas / 17 x 22 inches / Signed LL: G. Hitchcock / SN# 83:67 Verso, left stretcher bar, upper left, incised with graphite: HITCHCOCK / property of MR OV CALDER Verso, right stretcher bar, upper right, incised with graphite: TULIP P [r OF r?] IELDS [illegible] / fown [? Illegible] LEI [illegible, covered with sticker residue] Verso, right stretcher bar, lower right, black crayon: 13966 Verso, bottom stretcher bar, bottom center, black crayon: 80 [upside down] Frame, recto, bottom center, black paint on plate: GEORGES HITCHCOK / 1850 – 1913 Frame, verso, bottom rail, center left, graphite on tacking tape: HITCHCOCK FLOWERS [upside down] Frame, verso, bottom rail, bottom right, pen on sticker: Livingston / 1.1985 Frame, verso, bottom right, black marker on tape: 24 Frame, verso, bottom right, circular gold-foil sticker with serrated edge
- Provenance The artist, George Hitchcock (1850 - 1913); inherited by the artist's wife, Cecil Jay Hitchcock (1880 - 1954); inherited by her second husband, Oliver Vassall Calder (1889 - 1969); possibly by bequest to his sister, Mary Calder (born 1895) [see note 1]; dealer Spanierman Gallery, LLC, New York, by 1986; purchased by Mrs. Margaret Gresham Livingston, Mountain Brook, Alabama, 1986; gift to the Birmingham Museum of Art, Alabama, 1986
1. In O. V. Calder's will, dated April 6, 1956, he left his "personal chattels" to his sister Mary, with some to distribute "as shall be mentioned in any written memorandum left by [him]." It is not known whether this painting was included among those possessions to be distributed, or if ownership was retained by Mary Calder.