Landscape

Alfred Heber Hutty

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Faithful Unto Death (Taps), William Gilbert Gaul, oil on canvas
An abstract, high contrast black and white photograph of what is likely multiple overlapping exposures of window portions. They are not recognizable as windows in the final geometric composition. In the middle of the photograph is a rectangular view of the window, while the other exposures appear in the shape of skinny tall triangles, with a window partially covered by possibly a curtain. The white window triangular shapes are rotated around in the photograph.
This image is created with black ink on paper. Two women stand in a yard, with one speaking over a fence and the other speaking off of the porch of a house. To the left of these women is another, unoccupied porch with a porch swing. The yard is fenced, and the view of the woman standing on the ground speaking is partially obscured by the fence’s wire. A wired gate is to the right of the wire fence, and behind it on the right of the composition is a leafy tree.
A black and white photograph featuring a close-up view of a school desk. Writings and scratches are prominent against the wood grain of the surface. In the top right corner, is written “George is A good kid sometimes”, on its left is a clock face with one hand on 12 and other on 3. In the center is a blacmark of an oblong L-shaped object.