The Collection at the BMA

Featured Works

Coiled serpent with human face, feathered body, earspools.

The Feathered Serpent Diety, Quetzalcoatl

  • Aztec culture, Tenochtitlan, Mexico, Pre-Columbian
  • stone
Carved stone mask with deep oval eyes, arched brows, broad nose, deeply carved, slightly open mouth. Ear flanges pierced.

Mask

  • Teotihuacan culture, Pre-Columbian
  • stone

The Collection

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Society Emblem (drung mgbe), Ejagham people, Republic of Cameroon, and Nigeria, African, fiber, skulls, wood, horns, gourds, leather, and patina

Society Emblem (drung mgbe)

Helmet mask with janus face on helmet, surmounted by equestrian figure hunter/warrior figure positioned on circular platform.

Epa Mask

The object is an oversized bronze sculpture of a reclining, longhaired female nude with an up-turned face. The figure rests on a fabric which drapes over a twelve-inch high base. The surface has a warm brown patina. The whole sculpture currently rests on base that raises it 21 inches off the ground. In this sculpture, Botero reinterpreted the odalisque, merging characteristics of primitive fertility goddesses with the voluptuous women of Rubens, Renoir, or Titian. Botero concentrates the heft in his figures at their center to attain the highest degree of volumetric expression and linear precision. His figures have been dubbed "Boteromorphs." Botero's art reflect the culture of his native Medellín, where pre-Columbian aesthetic traditions intermingle with the lingering influence of medieval Spanish Catholicism. Botero has also absorbed the influences of Diego Rivera, Henri Matisse, and others.

Reclining Nude

Large, cast iron tobacco box in the form of a seated, bearded Sir John Falstaff wearing sixteenth-century garb with a large belt and ruffled collar in a scene from Shakespeare's  "Henry IV" (act 2, scene 4) in which Falstaff pulls his dagger and proclaims "…this chair shall be my state, this dagger my scepter…!"  Falstaff is seated in an armchair whose armrests end in goat's heads, below the chair on either side is a bearded male mask; Falstaff's crossed feet rest on a small stool, the chair and stool rest on a base decorated with scrolls; his right arm is raised and his hand holds the handle of his dagger (the blade is broken off); his left arm rests on the chair's armrest while his left hand supports a long sword, which rests against his knee. The upper torso is hinged and opens to reveal the interior of the tobacco box.

Tobacco Box “Sir John Falstaff”

  • After a model by Johann Carl Wilhelm Kratzenberg, foundry Siméon Pierre Devaranne, or Royal Prussian Iron Foundry, Berlin, Berlin, Germany
  • cast iron